Books:
Sound Art and Music; Philosophy, Composition, Performance (co-edited volume, eds. John Dack, Tansy Spinks, Adam Stanovic). Cambridge Scholars Publishing: Cambridge. 2020.
Book Chapters:
Trust in Early Recordings: documents, performances and works. In, Moreda Rodriguez and Stanovic, eds. Early Sound recordings: research and practice. Routledge: Abingdon-on-Thames. 2022
The Methodology Mythology: reconsidering compositional practice in acousmatic music – Music and Sound Art: Composition, Performance, Philosophy. Cambridge Scholars Publishing: Cambridge. 2020.
Beyond the Fixity Fallacy: rethinking the work-concept in an age of electronic music – Music and Sonic Art: Practices and Theories. Cambridge Scholars Publishing. 2017
Between Plasticity and Performance: an Introduction to Acousmatic Art – Digital Art Critcism, Taiwan. Dec 2012
Journal Papers:
Cheers To US.S..S…: Quotation, Allusion, and Pastiche in Acousmatic Music, In, The Electroacoustic and The Other. In, A. Stanovic, Ed. Sonic Ideas. CMMAS, Mexico.
A Chip off the Old Block: introducing the practice of historically-informed recording. In, Seismograph: Sounds of Science, Fokus, Denmark. 2021.
Composing the North: sound art as a method for moulding the plastic city. In, Nordlit special issue ‘Conceptualising the North, UiT, Norway. 2020.
Composing the Plastic City: a reflection of methods, motivations and meanings – In, Sonic Ideas/Ideas Sonicas, CMMAS, Mexico, 2019.
Musical Works, Recordings and their Digitisations: new philosophical types – Svensk tidskrift for musikforskning: Swedish Journal of Music research. 2018.
Degrees of Determinacy: classifying acousmatic works in an age of sound diffusion – Musimédiane Vol 9. Paris. Forthcoming.
The Acousmatic Sound Sculpture: an ontological account of works, performances and the centrality of space – Sound Spaces and Audiovisual Spaces: CreaAtion, Representation and Design. Universidad Autónoma de Madrid. 2014
Between Plasticity and Performance: an ontological account of electroacoustic music – the Journal of the Korean Electro-Acoustic Music Society KEAMS, Seoul. 2013
Tracking Production Strategies: identifying compositional methods in electroacoustic music – the Journal of Music, Technology and Education, 2013
Materialising Time and Space in Acousmatic Music – L’Espace du Son III, 2011 Sounds, Agents, Works and Listeners: a Model of Computer Music Performance – Journal of Music, Technology and Education, 2011
Through Thick and Thin: the Ontology of Tape Music – Journal of Music and Meaning, 2010
Information Computer Technology (ICT) for Music Composition and Seamless Performance Interfaces – Rvista Electronica de Musicological, 2009
PhD Thesis:
The Acousmatic Musical Performance: an ontological investigation. Available to download HERE
Edited Journals:
The Electroacoustic and The Other. In, A. Stanovic, Ed. Sonic Ideas. CMMAS, Mexico. 2024
Special Edition of the Journal for Music, Technology and Education, guest edited by Adam Stansbie and Adrian Moore. Dec 2013
Book Reviews:
Review of “Sonic Art: An Introduction to Electroacoustic Music Composition” by Adrian Moore, In, International Review of the Aesthetics and Sociology of Music, Published 2018
Review of “Soundweaving: Writings on Improvisation” by Franziska Schroeder, Mícheál Ó hAodha, In, the Journal of Music, Technology and Education, Published 2015
Review of “NO PICNIC: explorations in art and research: ed Cheeseman, M”. In No Picnic, published 2014
Review of “Musical Creativities in Practice” by Pamela Burnard”. In, the Journal of Music, Technology and Education, Published 2013
Published Music (Solo albums)
Stanović, A. 2022. Hymnes sans Paroles; solo album on the empreintes DIGITALes label featuring six acousmatic compositions.
Stanović, A. 2018. Ténébrisme; solo album on the empreintes DIGITALes label featuring six acousmatic compositions (Ctrl c; Metallurgic; Inam; Inja; Foundry Flux; Would be to Seek).
Stansbie, A. 2012. Isthmus; solo album on the Sargasso label featuring five acousmatic compositions (Isthmus, Early Morning, Parenthesis, Point of Departure and Escapade).
Published Music (Collective albums)
Stanović, A. 2023. “To US.S..S…”, in MUSLAB, Cero Records, Ecuador.
Stanović, A. 2022. “Baltazar’s Adventure through the Great Machine”, in CIME Conference 2022, CIME, Poland.
Stanović, A. 2017. “Would be to Seek”, in Garland for Beatriz Ferreyra, Musiques et Recherches, Brussels.
Stanović, A. 2017. “Origins”, in Garland for Annette Vande Gorne, Musiques et Recherches, Brussels.
Stansbie, A. 2016. “one times one”, in Undae! Online edition, Undae! Madrid, Spain
Stansbie, A. 2016. “Calculus”, in Erik Bosgraaf and Friends live from De Toonzaal, CD published by De Toonzaal, Netherlands.
Stansbie, A. 2015. “one times one”, in Destellos Prize-winning Pieces, CD published by the Foundation Destellos, Argentina, and CMMAS, Mexico
Stansbie, A. 2011. “Spore!”, in autohypnosis sex war noise faith white truth light, 8th CD of Mute Sound Records, Zaragoza, Spain.
Stansbie, A. 2011. “Fractions”, in Elektramusic III, Elektramusic, Strasbourg.
Stansbie, A. 2011. “Escapade”, in ICMC ‘top rated works’ CD, Huddersfield University, Huddersfield.
Stansbie, A. 2011. “Escapade”, in Città di Udine – Eighth Edition, Taukay Edizioni Musicali, Udine
Stansbie, A. 2007. “Early Morning” in Métamorphoses 2006. Musiques et Recherches, Brussels.
Stansbie, A. 2007. “From a Tower, Brasov”, in Disappearing Soundmarks, Earshot 5; The Journal of the UK and Ireland Soundscape Community. London: UKISC
Stansbie, A. 2007. “Tisza Frogs”, in Disappearing Soundmarks, Earshot 5; The Journal of the UK and Ireland Soundscape Community. London: UKISC
Adam Stanović 