Here are a few reviews (mainly for my solo albums) that I have particularly enjoyed:

“Adam Stanović can “slay” you with his sound creations […]. So: be careful” – Radiohoerer, December 29, 2022

“Adam Stanović builds grandiose architectures with radioactive beauty, moving geographies with aerial impalpability flying over desert areas with universal reflections. Stunning.” – SilenceAndSound, December 29, 2022

“Visionary and Moving” – Il Manifesto, January 14, 2023

“Adam Stanović, an expert in acousmatic music, transports us into a reality made of well-polished, elaborate, three-dimensional and enveloping noises and sounds […] Hymnes sans paroles is a record that makes catharsis its aim” – Music Map, February 1, 2023

“a most impressive work” – Audion, no. 74, June 1, 2023

“glimpses of gaping terror” – Wedgeradio, Feb 13 2024

“A dull-witted noise-lover like me can certainly dig his roary pieces, which have a lot more fire and chaos than we’re used to in the field; plenty of tidal waves of digital information surging and rebounding around imaginary spaces like titanic forces, sometimes with quite shocking dynamics, cut-offs, and wild timbral shifts.” – The Sound Projector, June 9, 2019

“Stanović manages to convince with dark, threatening, but at the same time atmospheric sounds.” – Nieuwe Noten, June 6, 2019

“[…] as a performer in his muscle T-shirt, he certainly doesn’t fit the stereotype of an academic wrapped in cotton wool.” – Bad Alchemy, no. 101, April 1, 2019