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I am delighted to announce that the international jury for the Klingler ElectroAcoustic Residency selected me as their resident composer for 2018. I shall be traveling to Ohio at some point between Jan and May to compose a new multi-channel work using the studio shown below. Previous composers on the programme have included Robert Normandeau,…
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Another composer event taking place at Sheffield University: The Centre for New Music at Sheffield (CeNMaS) is pleased to announce the call for the Sound Agendas Composers’ Conference 27th-29th April 2018 open to composers in and outside academia. Presentations are invited in the form of: • a 20-minute Paper with or without slides/audio/video/handouts (submit a 300-word abstract) • a 5-minute…
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On Nov 7th, I shall be talking at an event in Leeds called: Aesthetics of Computer Music: Changes in the Nature and Reception of Music. The event, which looks at some of the various ways in which computer music has challenged established notions of creativity, composition, performance, and authorship, is sponsored by the Centre for Aesthetics at…
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Last Friday, I performed a second half concert at The University of Greenwich, presenting some 7 pieces of music. The concert featured two new works, and was a lot of fun. Here is the poster:
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Last night, I found out that INAM was selected at the Destellos Competition in Argentina. It didn’t get any further, but I am delighted to see that Andy Lewis received First Prize for his piece Skyline. The same piece was recently selected by the British ElectroAcoustic Network (BEAN) as one of three works to represent…
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Last week, I gave a paper at the excellent Sound+Environment conference in Hull. The paper – which was co-authored by Amanda Crawley Jackson – focused on the Foundry project in which 7 composers created works relating to Furnace Park in Sheffield. I later performed my piece – Foundry Flux – in the evening concert. Here…
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I have just returned from the Royal College of Music, in Sweden, where I delivered a paper on digitisation – abstract pasted below. An extended journal issue will be published in late 2017/early 2018 with the same title. Expanding the Sphere of Irrelevance: musical works, recordings and their digitisations Dr. Adam Stanović The type-token theory…
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A number of exciting things are happening at the moment. Ctrl c has been scheduled for performance at the Korean Electroacoustic Music annual conference in Seoul, as has Foundry Flux at Sound+Environment Conference in Hull, and the Sound of Memory Conference in Kent. At Hull, I shall be presenting a paper with Amanda Crawley-Jackson on the…
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I am very pleased to announce that I shall be the composer in residence at Imogen Holst’s former home in Aldeburgh, during the Easter break. During this time, I hope to compose a new work for piano and tape. I am extremely grateful to the Britten-Pears Foundation for making this residency possible, and for setting…
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This coming Friday, I shall be performing – Inam and One Byrd, Two Stones – at Sounds like THIS festival in Leeds. The event, curated in part by Rob Bentall, features many of the best electroacoustic composers working in the UK at present. For more details, see: here
Adam Stanović 